Cate Blanchett offers played a queen, vagabonds plus Bob Dylan. Now the particular double Oscar-winner is striking the London phase and hinting at a goodbye from performing. We speak with the group behind the particular avant garde play regarding sexual dominance, superiority
Cate Blanchett strides to the room plus plomps their self down on the particular sofa. Before us – this is intended to be lunch – a desk is stacked high along with sandwiches, fresh fruit, salads along with a copy from the script this wounderful woman has spent all of the morning practicing. She prods at this with a little finger, hooting along with laughter. “Any pointers? ” she requests. I look across on the other couch, where Matn Crimp, the particular playwright , is moving himself within. He gazes back impassively. This might become a joke; it may not.
We are backstage in the National Theater to discuss Blanchett’s appearance within Crimp’s brand new play – her first appearance here, plus her initial appearance in the London phase in 7 years. Furthermore squeezing to the sofas are usually Blanchett’s movie director, Katie Mitchell, and the girl co-star Stephen Dillane. In order to call the availability hotly expected is some thing of an undersell: demand designed for tickets had been so higher that the theater was required to in troduce a Hamilton-style ballot (a few day time tickets are usually left, should you be able to queue). Even through the vantage stage of not-quite-mid-January, this looks such as being one of the greatest plays from the year.